Improvisation at Wombat Rock, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Listening, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Fabric river, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Fabric Forest, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Meal time, Easter at the Piano Mill, 2019
Photo by Tangible Media
Soundwalk at Oxbow, Easter at the Piano Mill, 2019
Photo by Tangible Media
Trailer drive-by, Easter at the Piano Mill, 2019
Photo by Tangible Media
Trailer drive-by, Easter at the Piano Mill, 2019
Photo by Tangible Media
Limeburners, Easter at the Piano Mill, 2019
Photo by Tangible Media
Limeburners, Easter at the Piano Mill, 2019
Photo by Tangible Media
Sunset inside the listening room premiere at Limeburners, Easter at the Piano Mill, 2019
Photo by Tangible Media
Sunset inside the listening room premiere at Limeburners, Easter at the Piano Mill, 2019
Photo by Tangible Media
Sonic Dreams at Lagavulin, Easter at the Piano Mill, 2019
Photo by Tangible Media
Sonic Dreams at Lagavulin, Easter at the Piano Mill, 2019
Photo by Tangible Media
Astronaut Aviary Antics, Tiangong, and The Hive, Easter at the Piano Mill, 2019
Photo by Tangible Media
AstrAstronaut Aviary Antics, Tiangong, and The Hive, Easter at the Piano Mill, 2019
Photo by Tangible Media
Astronaut Aviary Antics, Tiangong, and The Hive, Easter at the Piano Mill, 2019
Photo by Tangible Media
Astronaut Aviary Antics, Tiangong, and The Hive, Easter at the Piano Mill, 2019
Photo by Tangible Media
Astronaut Aviary Antics, Tiangong, and The Hive, Easter at the Piano Mill, 2019
Photo by Tangible Media
Astronaut Aviary Antics, Tiangong, and The Hive at the Piano Mill, 2019
Photo by Tangible Media
The Finale, Easter at the Piano Mill, 2019
Photo by Tangible Media
The Finale, Easter at the Piano Mill, 2019
Photo by Tangible Media
The Finale, Easter at the Piano Mill, 2019
Photo by Tangible Media
The Finale, Easter at the Piano Mill, 2019
Photo by Tangible Media
The Finale, Easter at the Piano Mill, 2019
Photo by Tangible Media
The Finale, Easter at the Piano Mill, 2019
Photo by Tangible Media
The Bach Bar, Easter at the Piano Mill, 2019
Photo by Tangible Media
Easter at the Piano Mill, 2019
Photo by Tangible Media
Easter at the Piano Mill, 2019
Photo by Tangible Media
The Bach Bar, Easter at the Piano Mill, 2019
Photo by Tangible Media
The Bach Bar, Easter at the Piano Mill 2019
Photo by Tangible Media
Scatter, Easter at the Piano Mill, 2019
Photo by Tangible Media
Carcasses of Angels - Clocked Out with Cat Hope at Lagavulin, 2019
Carcasses of Angels - Clocked Out with Cat Hope at Lagavulin, 2019
Carcasses of Angels - Clocked Out with Cat Hope at Lagavulin, 2019
Carcasses of Angels - Clocked Out with Cat Hope at Lagavulin, 2019
Carcasses of Angels at Lagavulin, 2019
Carcasses of Angels - Clocked Out with Cat Hope at Lagavulin, 2019
Clocked Out with Mary Oliver at Lagavulin, 2019
Folded 2019 by Bruce Reynolds
Grounded 2019, by Bruce Reynolds
I arrived with a change of boots and a bag of plaster., my preferred way of recording.
In spite of its cumbersome nature, the casting process gave me the focus to be very specific about where and how I would first focus.
It was the same approach that I used in Rome to avoid being paralysed by the complexity and sensuality of an ecology mixed from a combination of thousands of years and last week.
Between the timber mill and the sheds were the tracks of activity that I framed within a torn vase shape. The earth pigmented the plaster except where a worn and discarded tarpaulin masked the shape.
Also from Rome I had brought the coexistence of archaic and contemporary. What could be older than the mud and granite? So the surfaces became a picture which moved up the track from work site to leisure space. Next I walked and stalked fallen trees and ferns to make drawings in the impossibly complex forest.
Signage at the front gate, 2019 by Bruce Reynolds
Signage at the front gate, 2019 by Bruce Reynolds
Transitory Form, 2019 by Bruce Reynolds